Ready To Make Your First Track
Now, for the fun part. This is where the rubber meets the road, so to speak. Its time for you to get your hands dirty and start making some music. Were really going to emphasize this next sentence, because its important:
The biggest thing standing in the way of you producing electronic music is learning how to use your DAW!!!
If youve followed along with our recommendations, if youre a Mac user youre going to use Logic Pro, and if youre a PC user youll go with FL Studio or Ableton.
Trust us when we tell you that you really need to become comfortable with your DAW. Creating and producing music is massive amounts of fun, and if you take the time to really learn your way around your DAW now, you can allow your creativity to run wild and youll be making beats, sounds, and throwing together tracks in no time. When we say learn your DAW, we also mean getting acquainted with the Swiss Army Knife of effects and synthesizers it comes with.
The absolute BEST way to learn your DAW is to watch an online video course, and follow along with their examples. While there are countless of free YouTube videos out there about DAWs and music production, they are actually not the best way to dive in. There are a few reasons why YouTube videos are not optimal for this:
Head over to Udemy and watch some preview videos of this course!
- A Mac with Logic Pro X installed
How To Begin To Compose Techno Music
Here are some tips you can use to begin composing a dope techno hit.
Characteristics And Trademarks Of Techno
Similar to other genres of Electronic Dance Music, Techno also follows a constant 4/4 time for all the tracks.
It provides a perfect structure to create any Techno track between 120 and 150 beats per minute .
Most artists and DJs play tracks between the said speed and tempo. However, there are some producers who like to take it to next level.
There are Techno sub genres, Hardcore Techno and Speedcore, which are produced up to 200 BPM and 300 BPM respectively.
Lets further learn how to make techno music by understanding its characteristics and trademarks.
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How To Make Hardcore Techno
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This is it. You’ve heard a lot of tracks, seen a lot of DJ and you are interested in the process of making Hardcore Techno. Maybe you’ve been listening to Hardcore for some time, and you finally made your decision.
You’re going to be a part of the family.
Key Discipline : Advanced Learning And Remaking
But its time to go even deeper. At this point, youre starting to further your strengths and bring up your weaknesses. Learning complex jazz music theory now is far more appropriate than in stage 2.
Advanced learning is all about going deep into topics. It helps to start with your strong points, because, at the end of the day, music production is too diverse a field to become a master in everything.
If youre into sound design, you might delve into the physics side of it, learning why certain waveforms sound the way they do. If you love mixing, you might decide to intern at a studio or read some textbooks on audio. You get the idea.
There comes a point where youve learned most of whats necessary from books and videos, and you need to go beyond the general advice and gather more nuanced ideas and tricks.
The best way to do this is to learn from other artists who are at or above your skill level. Given that everyone is unique and has unique thoughts, it follows that their music will be unique in one way or another.
How do you learn from other artists? You study their music. Better yet, you remake it. Remaking forces you to listen attentively. It forces you to try out new ideas and solve problems. It forces you to think about what youre hearing and how its made.
Get Creative With Your Sample Choices When Producing Techno
We would dare to say that Techno fans are a bit more discerning than your everyday listeners of House or Tech House. While you may be able to get away with the use of a bit more of a standard sound palette when producing these genres, Techno allows you to get weird.
Perhaps the best way we know of doing this is by picking up a ZOOM Recorder and going to town recording anything and everything.
Record city ambiances as filler noise for your breakdowns. Bang pots and pans together in your kitchen for percussive hits. Slam your front door. Record the sound of a cigarette lighter, your kitchen faucet, you name it.
Like we said, get weird!
Youll be glad you did, and so will everyone listening to your track.
Understand What Works For You And Be The Master Of It
Its not about the gear, its about the way you use that gear! In fact, as the producer gets more into his thing and develops his musical style, his number of tools tends to go down. I know great producers who only use 2 or 3 plugins maximum and a MIDI controller. And thats it! Why? Because they know what works for them. Expending mental energy on hardware wastes time. The last thing they want is to spend 2 weeks learning how to use a SSL 4000 if they dont need to. I mean, they just need Sylenth1 or Nexus 2 or FL Keys to make great music. They spent hours and hours in this plugin creating the unique sounds that are their signature move. The good thing about electronic music is that you are allowed to reinvent the wheel here, and probably it will be an amazing wheel!
Just for curiosity, did you know that Van Gogh rarely painted with more than six colors on his palette?
So How Is Electronic Music Made
If you dont really have any clue as to how a electronic music producer creates a track from start to finish, this section is for you. Producing music is astoundingly accessible today. Anyone with a computer and an idea can get started… but it wasnt always like this. For decades, electronic music production used to require lots of expensive gear, and therefore lots of space to put it in. This is likely what made it have less mass appeal than, say, picking up an electric guitar. Over time, as computers have become more powerful and less expensive, all of that expensive hardware got replicated in software. What once was a studio full of gear has now become a hard drive full of software. Not to mention the internet has made it extremely easy for artists to connect and share sounds, samples, arrangements, and more, and for pro audio manufacturers to create and distribute more music-making software.
You might have figured this out by now, but electronic music production is centered around a computer. Perhaps this is the reason why there is a disconnect in most peoples minds as to how this type of music is actually made. The image of someone rocking out on a guitar, bass, or drums is much more familiar and glamorous than the one of the producer sitting in front of their computer in front of a complicated looking program.
Things Changed Big Time
So it was time to take a break and do some adult stuff. I became more career focused. ;I never stopped buying music, I never sold my gear, I never sold my turntables. ;All that stuff was in storage in my parents basement.;;
I bought my own flat some years later which was cool.;;
My my then girlfriend, now wife.;;
Things were good.;;
Some time later I started a new job and my manager was an older “British House Head.”
I kid you not. ;Super cool, nice guy who in his youth also used to DJ ;and rent out sound systems. ;Since we talked shop about music and what not the music bug bit me again.;
The headphones I had hung up, were now back on.
I sold my old Triton keyboard and grabbed a Native Instruments Maschine MK1 which is now the basis of all my tracks.;
I got reacquainted with Ableton and started making tracks. ;It was fun, but I still wasn’t finishing them, but I was a tad smarter and more persistent. ;Eventually got my first release out on Beatport which was a remix for a friend.;
I got some tutorials, some modern sample packs.
On the night of my bachelor party which was a steak dinner followed by a trip to Output to see Nicole Moudaber, I met a rep from Nervous Records.
We talked for a while and exchanged info.; He said to send stuff so I did.;
The resulting track “Thirteen” landed in the Traxsource Top 20 Tech-House Chart . ;
I followed it up with another that got almost as high. And later my full on techno bomb “Friction.”
Stage : Exponential Learning
Time: 6-24 months
Stage 2 is where the real fun begins. You start getting the hang of things, and every track you make sounds better than the last.
This stage takes a while, typically 1-2 years. For some people, it may be shorter, especially if they have the freedom to put many hours in. For others, it may take longer than two years.
Stage 2 is titled Exponential Learning because thats exactly what happens. You acquire knowledge, develop skills, and improve as a producer at exponential speed.
Heres an illustration :
Its an exciting time in your journey as a producer. Your eyes are opened to the limitless freedom that electronic music production presents. You listen to tracks you made a few weeks earlier and notice how much youve improved since.
During this stage, at least in the early months, youll be improving week on week if you put in the time and effort.
But in order to excel during this stage, youll need to follow these 4 key disciplines:
What Do I Need To Make Techno Music
Techno is one of the musical genres that would not exist without the excessive use of technology. Maybe thats a bold statement given the fact that Guys like Sebástian Zoppi or Dario Rossi make techno with nothing but a few buckets, but given what we see if we watch techno artists performing its no wonder one of the most common questions beginners ask is what do I need to make Techno music?. After all, Techno godfather Juan Atkins said himself maybe two decades ago that techno is all about music that sounds like machines, rather than machines that sound like music.
We watch videos of artists like Carl Craig, Drumcell or Guy Boratto and see them sitting in their impressive studios, surrounded by walls of synthesizers and of course we think that this is what is needed to make techno.
Offer The First Track To Audience
Well, after months of the hard work it is the right thing to check what your audience thinks about music. In the beginning, you should start working as a ghost producer. More precisely, you can sell your tracks to the ghost production platform.
Ghost production is a good way to analyze your audience. You will get honest feedback that will confirm which things you need to improve or completely change. Because of that, we suggest one ghost production platform to our readers. Visit edmwarriors.com and see which options this platform offers to DJs.
Figure Out Your Objective & Motivation
One of the main reasons people give up during this stage is that they cant find the passion they once had for making music.
Passion keeps us going. Theres no denying that. But at times, it can be hard to feel it or notice it.
Because of this, its important that you figure out two things: your next objective, and your overall motivation or reason for making music.
Your objective might be that you want to release an EP. Thats the next big thing on your list, and thats what youre actively working toward. But an objective alone is not enough, you need an overarching reason or reasons for making music.
My reason for making music is twofold: first, I make music because I love it, and second, I make music because it helps me teach other people to make it. During times where I feel frustrated with music and dont feel like I love it, I fall back to the second layer and remind myself that theres more than one reason why I make music.
Once you have an overarching reason, working through dry periods where you lack inspiration and creativity becomes much easier.
Need help with this? Check out this post where I show you how to set goals as as producer.
How To Learn Music Production Online
While there are a lot of paid courses that teach music production, you dont necessarily need them to be a good producer. Most well-known DJs and artists are self-taught.
Youtube is going to be your golden resource of music production education. Youll find an endless supply of people wi;post excellent;quality tutorials and will even respond to your questions in the comment section.
Respect The Classics: Tr
While were huge fans of being as creative as possible with sample choice, you can be sure that almost every big Techno record in existence features some elements of the Roland TR-909.
The 909 is a simply legendary drum machine. The versatility of the 909 is not to be missed. Even were surprised at some of the lovely sounds that come out of this machine from time to time, and weve been using the 909 since it first came out in the 80s!
One good example of how to use the TR-909 would be for its timeless selection of kicks. Grab a kick drum from the TR series, or a plugin emulator, dirty it up with a tad of distortion or saturation, and get to work.
On the other hand, our Essential Techno sample pack contains plenty of sounds that were sourced from the 909. If you want those rough and tough Techno grooves, look no further.
How To Make Techno Music
To produce techno music, one can choose from various options such as creating beats using real instruments or simply using a computer software to do so. This article centers on how to make techno music on your own and provide an outlet for your creativity. Read on…
To produce techno music, one can choose from various options such as creating beats using real instruments or simply using a computer software to do so. This article centers on how to make techno music on your own and provide an outlet for your creativity. Read on
Techno is a genre of music that has come into being as a result of the fusion of advancements in technology, improvements in musical instruments and finally, creativity of musicians. This type of music heavily depends on the rhythmic and synth section. You will be surprised to know that this is one of the most simplest type of music to compose. You just need the right resources and a bit of creativity. Making simple techno music can be an easy task, but creating complex rhythmic beat patterns is quite complicated. Nowadays, most of the time techno music is created by using a synthesizer, keyboard or a computer program. Professional DJs and sound engineers use state-of-the-art systems for music production though. In the following section of the article, we are going to discuss some tips to make your own techno music.
Techno Tips: The Essential Guide For Music Producers
Techno is the fusion of man, music and machine, growing out of late-80s Detroit, via Europe, to become the worldwide phenomenon that we know today.
The style is made for the club, with a strong percussive backbone, played in 4/4 time. Some of the main trademarks of techno include minimalism and repetition, with slow, calm evolving changes throughout the length of the track acting to explore the musical themes of each piece ;all while keeping the groove rolling.