What Is The Salary For A Music Video Director
Music video directors are responsible for a variety of tasks. They help musical artists create visual representations of their songs that generate album sales. Skilled music video directors are paid substantially for their experience and ability to produce videos that make a musical artist stand out. Music video directors realize the most consistent salary potential once they gain union representation.
There Might Be Times When You Can Cut Some Corners
Planning is always crucial, even more, when the budget is small. Sometimes music managers want to cut too way too many corners and the production triangle gets thrown out of the window! We talk about the triangle in the following paragraphs. Music Videos can be very conceptual, sometimes that gives the director some freedom to create with a limited budget. Sometimes minimum resources are sufficient to create an outstanding music video. The most important thing is to have a talented artist, great performances, a very creative director and a professional crew to help him accomplish his vision. It is good to know that In todays music industry, the marketability of an artist relies on the success of his music videos. Either if you have tons of cash or none, create a concept that advances the artist career. Mediocre Music Videos can ruin an artists career!
Director : T. Demos
Below I would like to list some of the people you certainly want to have in your video production crew. Just as I mentioned before, the size of your crew will impact your budget, creative choices and more likely the quality of the Music Video. Who are the most important players ?
Making Money From Film Music
If you would ask most film composers, they would probably say they got into this career because they loved music not because they wanted to get rich. And in general, thats probably the best reason to get into any career. Being passionate about what you do makes work feel less like work.
But if youre trying to make a living off of composing film scores, one of your first questions is, is it even possible? What is a typical film composer salary? Like many industries, there is a huge range of possibilities. Read on to see how much composers get paid for working on different types of projects.
According to the US Bureau of Labor Statistics, the average salary for a film composer is around $50,000. But, the true compensation ranges widely for different projects and different skill levels. Lets look at a composer working on these different types of projects:
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Definition And Nature Of The Work
The enormous success of music videos has opened a new and highly creative field to producers. Video producers are now in demand by record companies and recording artists who want visual interpretations of the songs they are promoting. A music video producer is responsible for seeing that the visual effects complement the musical piece and effectively highlight its performer or performers, who generally “star” in the video.
Music video producers are in charge of the financial and administrative aspects of video production. They are responsible for making a successful video while staying within a budget. They often work with the director to hire the production teamthe choreographer, film editor, lighting director, and director of photography. They must keep order among the creative personalities involved in making a music video.
As a rule, video producers are hired and paid by the record companies or artists who are financing the project. Sometimes producers are asked to submit ideas for a video to promote a specific song. They must then compete with other producers for the job.
In some cases, producers come up with an idea for a video and then try to sell the concept to a production company, record company, or artist. Some producers start their own production companies. Independent producers often must find their own investors or use their own money to finance a project.
A music video producer edits videotape. Experienced producers are in demand by music companies.
What Kind Of Gear We Will Use
They say theres a million ways to skin a cat . The same can be said for how a music video can be shot and edited. There are a plethora of high-quality professional camera options, countless lights with widely varied wattages and color temperatures, and a myriad of support equipment choices, all of which creates a multitude of options for directors and DPs. All these choices have different pros and cons and, most importantly, different pricing. Typically, the better the gear, the higher the price. The budget is important in this equation because $500.00 wont even get you the body* for most professional cameras for a single day. Its important to note here that most gear rents in 24-hour increments. Often you can get three-day weeks and eight-day months to incentivize longer rental agreements. This means that, for example, if you rent the gear for seven days , you pay three times the daily rate and if you rent it for thirty days , you pay eight times the daily rate. Once again, $500.00 wont take you very far, even with the price breaks for longer rentals.
*Body: A camera body is the primary portion of the digital camera, which contains the controls, the LCD, the internal image processor, and the associated circuitry.
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What Does Your Job Involve On A Day
I write pitches for music videos and commercials, which involves coming up with an idea from a brief from the record label or a script from a commercial agency. I then work with some other members of the team to collect the right picture references for the idea so whoever I’m pitching to gets the idea visually.
If we win the pitch for the video, then we go into pre-production, and get into the full swing of making it. I could be choosing cameramen, casting, finding locations, working with the art department, working with a storyboard artist or meeting the clients. This is very full-on. It’s all about making decisions and leading the team to deliver what the client wants while making sure it’s something I’m truly happy with artistically.
Then we have the shoot days, which are intense as there isn’t much time and a lot to film. It is always stressful, but I try to make it as fun as possible for everyone. I try to have a lot of energy on set to keep the crew, artist, and the clients happy and ready for the long day.
The last stage is the post production, where it all calms down a bit and we focus on editing, CGI, sound and colour grading. There is a lot of time spent looking at monitors and crafting the piece into the final film.
Level : Modest Budget
Here are some characteristics of this budget range:
- Several days of shooting
- Several paid actors can be involved
- Minor visual effects are possible
- City permits may be required for outdoor shoots on public streets
My music video for Jekyll & Hyde by Theoretics fits in this range. The band relied heavily on friends and favors, but still had to hire four or five paid actors to participate. We used a lot of interesting locations that each required a fee. We needed to close off a few sections of street to film several segments, so city permits were necessary. Our production was small enough that we didnt need big trucks or generators, so we were able to qualify for a less-expensive type of film permit with the cities involved the same level of production insurance wasnt required by the cities we filmed in since we were under $10,000 .
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Who Is The Best Music Video Director
Best Music Video Directors
- Michel Gondry is the Academy award winning French filmmaker who directed the hit feature film Eternal sunshine of the Spotless Mind and The Science of Sleep.
- Hype Williams is undoubtedly the most famous hip hop music video director of all time.
- Spike Jonze is a household music video directors name.
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- Davido FEM DavidoVEVO. 776K subscribers.
- DJ Neptune, Joeboy & Mr Eazi Nobody emPawa Africa. 799K subscribers.
- Tony Allen & Hugh Masekela Slow Bones World Circuit Records.
- Burna Boy Bank On It Burna Boy.
- Niniola Fantasy ft. Femi Kuti.
- Olamide Green Light Olamide Baddosneh.
- Mr Eazi I No Go Give Up On You Mr Eazi.
Music Video Production: Roles And Responsibilities Explained
- Shubhit S.
A professional Music video Production is not a one man job and requires individuals with different skills to come together and work towards a common goal. In this article, we discuss in brief their roles and functions.
A professional Music video Production is not a one man job and requires individuals with different skills to come together and work towards a common goal.
In this article, we discuss in brief their roles and functions.
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What To Expect If You Want To Be A Music Video Dircetor
What will I get paid? Your rate will depend on a number of factors: the complexity of the video, the location, the bands budget and your experience. Fees may be agreed hourly or daily and contracts are usually freelance or fixed-term.
Where will I work? Most of the time you’ll be on location or in an editing suite.What are the working hours like? Filming is often concentrated into intense one or two-day shoots.
Reach Out To Your Musician Friends
Ready to take the leap for the first time? Odds are that if youre looking to make a name for yourself in the music video world, you just might have friends looking to make their name in the music world, too. Why not pair up and help each other?
Even if youre still acquiring the skills necessary to be a Music Video Director, its never too soon to try out what you do know with a friendly client like a friend. You might be doing the job for free, but its the experience youll gain thats the payout.
Also, if you get enough experience creating no or low-budget music videos with your musician friends, youll soon build both the skill sets and resume necessary to move onto more high-profile and higher-paying projects.
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How Much Should I Charge For A 2 Minute Video
So, exactly, How much does a 2 minute video cost? Its hard to define a cost without defining each of the needs listed above. At the average rate o $1500 to $10,000 per finished minute, you can guess that your 2 minute video cost will fall somewhere between $3000 and $20,000, but thats still a very large range.
Quality Of Life For Music Video Directors
With a take-home pay of roughly $5,194/month, and the median 2BR apartment rental price of $2,506/mo**, a Music Video Directors would pay 48.25% of their monthly take-home salary towards rent.
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How Did You Climb The Ladder To Get Your Current Career
My first experience on set was a music video for the girl group Mystique. I was working as a runner making tea and helping all the departments. As I had come from the kitchen, where the work is really hard and at the bottom they work you to the bone, the film set seemed a lot less hard. I ran around getting involved and just wanted to help all departments to really learn.
I did this for about two-and-a-half years until I became an assistant director, where you manage the set and are the mouth and logistical side of the director. I also started making my own little videos and building my reel. After about six videos I started taking my showreel round to companies in London. I got signed at 23 to a company and the directing started. But it was still hard to get work as the competition is very stiff and there are a lot of people doing it. I moved company after a year and then the work really started picking up.
Concept Treatment & Hook
The first thing you need to do is to help them develop a concept or treatment. This is where you get a chance to showcase your creativity.
Anyone can shoot video of a live performance, but to make a truly memorable music video, you need to come up with some sort of storyline or visual hook that people will remember. You want them to talk about the video and maybe tell a friend that they absolutely have to watch it.
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Level : Shoestring Budget
At this level, my work usually fits the following characteristics:
- One full day of shooting
- One camera operator
- Skeleton crew
- Filmed on DSLR or mirrorless cameras
- Few paid actors, if any
- Many production roles will be combined
- Permit fees are often avoided by carefully selecting production locations
Overcome by Alabaster is a music video in this budget range that I directed, filmed and edited. We filmed the entire thing in about 6 hours , all in the same location. We filmed the band first, then quickly filled the room with fog, threw up a 2K light, and brought in the dancers. I worked with the two dancers for a little less than an hour before we had to break down.
Why Would A Band Want To Have A Music Video Made
So why would a band want to have a music video made? Mostly for the chance of exposure, but also because it can be a source of profit for them.
Making music videos is part of the brand building process for music acts. A music video is a great promotional tool for an artist. A music video can help listeners put faces to the songs they hear and love on the radio.
A good music video can help cultivate an artists image and make a real impression on the mind of a music consumer.
Back in the days of MTV, it was major record labels that really went out of their way to make sure artists and their songs were represented in music videos. They would spend a lot of money on getting videos made and ensuring that they were played on MTV.
Aside from that, even from a small grassroots perspective of a fledging band: a good music video will be something they can show local venue owners to get shows. In this way, the music video is an entry tool for bands and recording artists of all different levels.
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Work Environment About This Section
Music directors and composers held about 48,100 jobs in 2020. The largest employers of music directors and composers were as follows:
|Religious, grantmaking, civic, professional, and similar organizations||70%|
|Elementary and secondary schools state, local, and private||3|
Music directors commonly work in concert halls and recording studios, and they may spend a lot of time traveling to different performances. Composers can work in offices, recording studios, or their own homes.
Jobs for music directors and composers are found all over the country. However, many jobs are located in cities in which entertainment activities are concentrated, such as New York, Los Angeles, Nashville, and Chicago.
Audio Is Even More Important Than Usual
Audio is always super important. Always. But its even more so when youre making a music video. This should really go without saying.
Another advantage that you, as a video production company have over just some fan with a video camera, is the ability to ensure that the audio of the video is properly synced.
A good music video doesnt really use live sound. Though you might shoot a lot of footage of the band performing, the music that will make its way into the finished music video should be added during post-production. This ensures that the music playing during the video comes out loud and clear.
What Training Did You Have
I didn’t have any training. I always believed that hard work and learning with practical experience was how I wanted to tackle it. I have never been good with theory so being in the thick of it would be the best way for me to learn. Though if there was anything I would like to have trained in it would have been photography, as I would have liked to learned a bit about the technicals of camera and lighting.
The Role Of A Music Video Director
The music video directors main responsibility is to create a Music Video that advances the artists career. Good Directors will work with style that already makes the artist unique and what his fans love him for. The goal is to make a memorable and entertaining music video for this artist. The director must create compelling visuals, the right mood, and themes for the artists music video. His better allies are his experience. creativity, crew and peoples skills.
What skills does a Music Video Director have?
The music video director must have a comprehensive knowledge of pop culture, art, and cinematography. Every song, every artist, and every music genre needs a different approach. Some Directors specialize in a specific genre, some music video directors will work with any type of genre. The music video director is the creative leader of the crew. He will choose the shoots, the sets, the cast and will supervise the editing process. He will advance or destroy your career. Get an experienced director or you will regret it!
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